AH4A is back with an examination of Margaret Preston’s 1958 work Aboriginal Glyph, and lots of thoughts about what it means for a white woman to claim her work is “aboriginal.”
Tag: 20th century
Lots of food for thought in this episode as Allyson discusses a Shona headrest from Zimbabwe in the Met’s collection: how do such objects come to be in Western museums? Should they be returned to their cultures of origin?
Indigenous Canadian artist Daphne Odjig’s painting Bathed in Sunlight (1983) and the larger story of Odjig’s career prompt us to think about Native art and how it is (or isn’t) included in the mainstream contemporary art world.
There are lots of different types of bodies in the world, but artist Fernando Botero focuses on the rounder kind–in this episode, Allyson tells you about Botero’s 1998 painting L’Odalisque, and talks about how it relates to body image and ideas of the “other.”
Allyson discusses Filipina artist Anita Magsaysay-Ho’s Girls with Baskets (1966), and how colonialism, class, and global politics affect even the most sentimental of art.